Friday, September 30, 2005

Alicia 'n' Amy

My review of the wonderful new Amy Rigby album (curious to know what Matos, a Rigby fan, thinks); and here's my take on the marvelous new Alicia Keys song, which no one on the Singles Going Steady staff liked much because they're ugly and stupid:

Unbreakable” is the track in which Alicia Keys finally earns those premature raves. The production’s a killer – vamping electric piano, icy muted trumpets, subterranean bass, and live (!) drums – but Ms Keys is the star. Reining in the melismatic affectations which had suggested she believed all those reviews comparing her to Dionne Warwick or something, Keys shows a relaxed command of the vernacular (dig how she sassily enunciates “technical difficulties” without technical difficulties) worthy of early ‘70s Aretha: the Aretha of “Rock Steady” and “Daydreaming.” Embodying a black middle-class dream that has room for Ike and Tina and Oprah and Steadman, she’s human enough to yield to temptation and wise enough to work it out.

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